Why I read it: I snagged the e-ARC from Net Galley because I couldn’t wait until release day ❤
Who I’d recommend it to: Probably first to fans of The Princess Saves Herself In This One, fans of poetry, feminists, witchy women, and anyone who wants to burn down the patriarchy.
My rating: ★ ★ ★ ★ ☆ (4.5/5 stars)
What it’s about (from goodreads):
2016 Goodreads Choice Award-winning poet Amanda Lovelace returns in the witch doesn’t burn in this one — the bold second book in her “women are some kind of magic” series.
The witch: supernaturally powerful, inscrutably independent, and now—indestructible. These moving, relatable poems encourage resilience and embolden women to take control of their own stories. Enemies try to judge, oppress, and marginalize her, but the witch doesn’t burn in this one.
I feel like I waited years for this book, and that feeling wasn’t helped by my technical difficulties while trying to read it >_< Long story short: this eARC from Net Galley is one of those that can’t be read on a Kindle, my iPad freaked out and I had to restore it, and the app I used to read the book was a pain in the butt to get downloaded and to then get the books on (partially because, for some reason, I couldn’t even get the Net Galley site to open for-freaking-ever, ugh). And I also think I might be missing a few pages in my copy for some reason, because I’ve seen other people quote things that I don’t remember reading, and they were things I definitely would have remembered
Anyway… Back to the book itself, and what I thought of it.
First up: It’s release day!! The wait is truly over, and if broom-travel were possible, my witchy butt would be flying to the nearest Target that has this in stock because I was too broke to pre-order it 😦
If Amanda’s first poetry collection (The Princess Saves Herself In This One) was a book of facing and slaying your own demons, this second collection is a call to arms for other women, and a warning to lurking monsters that we (women) have had enough and are fighting back. I think I made it to “-she.”–which is quoted below–before I started having to bite my tongue to keep from actually screaming/cheering out loud while reading this one.
i don’t need you
to write my story.
i write it
e v e r y d a y
& you couldn’t
Like in Princess, a lot of sensitive topics are touched on in this collection, and there’s a trigger warning list at the beginning of the book. This collection is angry, raw, and no sugar has been added to sweeten the ugly truths addressed. Also like when I read Princess, I felt a lot of things while reading this. Unlike Princess, I didn’t feel punches to the gut when I read things that hit close to home. Instead, I felt pissed off and ready to link hands with other women and crush the patriarchy under my stompy, pointy, witchy boots.
“bitch,” he spits
“witch,” he sneers.
& i say
“actually, i’m both.”
– reclaim everything.
The one thing I vacillated between loving and not loving (I didn’t hate it, though) was the repetitiveness. Sometimes, I really enjoyed it because either I liked the imagery or it helped tie the whole collection together, and sometimes it felt like I’d read a certain word or phrase one too many times. Don’t get me wrong: it isn’t every poem or anything like that. It just happened enough for me to notice.
Basically, I adored this book and I can not wait to get my hands on a physical copy. Speaking of, have you guys seen the Target exclusive?! It’s red! *cue heart eyes*
Did I love it as much as her first collection? Maybe not, but it’s pretty close, and still probably making my list of favorite poetry books. Do I recommend it? Yessss! But obviously not if you hated Princess, or hate this style of poetry.